Volver ein Film von Pedro Almodóvar mit Penélope Cruz, Carmen Maura. Inhaltsangabe: Raimunda (Penélope Cruz) erträgt ihr schweres Schicksal, ohne zu. Raimunda dreht gleich durch: Während in ihrem Restaurant ein lebhaftes Filmteam feiert, liegt im Kühlraum ein toter Männerkörper. Es formiert sich spontan ein. Volver. Zurückkehren. Pedro Almodóvar. ES. Min. Spanisch mit Schauspielerinnen ausgezeichnet, zudem erhielt der Film die Silberne Palme für.
schon kultigVolver ein Film von Pedro Almodóvar mit Penélope Cruz, Carmen Maura. Inhaltsangabe: Raimunda (Penélope Cruz) erträgt ihr schweres Schicksal, ohne zu. Bilder, Inhalt, Synopsis, Beschrieb, Trailer zum Film Volver. Raimunda dreht gleich durch: Während in ihrem Restaurant ein lebhaftes Filmteam feiert, liegt im Kühlraum ein toter Männerkörper. Es formiert sich spontan ein.
Volver Film Česko-Slovenská filmová databáze VideoVolver Estrella Morente Soundtrack \
Retrieved 25 August Retrieved 26 August Archived from the original on 23 October The New York Times. Retrieved 7 February The Chicago Sun-Times.
Retrieved 12 September Archived from the original on 13 December Retrieved 8 January Retrieved 6 March Awards for Volver.
European Film Academy People's Choice Award for Best European Film. Nobody The King's Speech Come as You Are The Gilded Cage Ida Marshland Body Stefan Zweig: Farewell to Europe Call Me by Your Name Cold War Golden Eagle Award for Best Foreign Language Film.
National Academy of Motion Pictures Arts and Sciences of Russia. Goya Award for Best Film. London Film Critics' Circle Foreign Language Film of the Year.
National Board of Review Award for Best Foreign Language Film. Satellite Award for Best Foreign Language Film. Breaking the Waves Shall We Dance?
Vancouver Film Critics Circle Award for Best Foreign Language Film. Talk to Her City of God A Very Long Engagement Paradise Now Volver 4 Months, 3 Weeks and 2 Days The Edge of Heaven Summer Hours Carlos A Separation Holy Motors The Hunt Force Majeure The Assassin Toni Erdmann BPM Beats per Minute Roma Parasite Pepi, Luci, Bom Labyrinth of Passion Dark Habits What Have I Done to Deserve This?
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Alternate Versions. Rate This. After her death, a mother returns to her home town in order to fix the situations she couldn't resolve during her life.
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Highest Grossing Foreign Language Films Who Run the World? Nominated for 1 Oscar. Raimunda Carmen Maura Sole Blanca Portillo Agustina Yohana Cobo Paula Chus Lampreave Paco Carlos Blanco Vecina Yolanda Ramos Presentadora TV Elvira Cuadrupani Edit Storyline Raimunda, her daughter Paula and her sister Sole travel from Madrid to the windy and superstitious village of Alcanfor de las Infantas to visit the grave of their mother Irene, who died years ago in a fire with her husband.
Edit Did You Know? Their friendship broke after shooting Women on the Verge of a Nervous Breakdown Quotes Irene : Don't say that, Raimunda, or I'll start crying.
And ghosts don't cry. Soundtracks A Good Thing by Saint Etienne Written by Sarah Cracknell , L. Oakley, M. Was this review helpful to you?
Why, obviously, to the one who needs her most -- Raimunda. This is the setup for a confounding gathering of murder, reincarnation and comedy, also involving Raimunda's almost accidental acquisition of the restaurant where she has one of several part-time jobs.
Almodovar is above all a director who loves women -- young, old, professional, amateur, mothers, daughters, granddaughters, dead, alive.
Here his cheerful plot combines life after death with the concealment of murder, success in the restaurant business, the launching of daughters and with completely serendipitous solutions to almost everyone's problems.
He also achieves a vivid portrait of life in a village not unlike the one where he was born. The film reminds me of Fellini's " Amarcord ," also a fanciful revisit to childhood which translates as "I remember.
What Fellini does more closely resembles revenge. These characters seem to get along so easily that even the introduction of a "dead" character can be taken in stride.
Women see time more as a continuity, anyway, don't you think? Don't you often hear them speaking of the dead in the present tense?
Their lives are a continuity not limited by dates carved in stone. What a distinctive filmmaker Almodovar has become.
He is greatly influenced, we are assured, by Hollywood melodramas of the s especially if that decade had been franker about its secret desires.
But he is equally turned on, I think, by the s palette of bright basic colors and cheerful optimism that goes without saying.
Here the dominant color is red -- for blood, passion and Pedro. In this connection, some mention might be made of Cruz's cleavage, including one startling shot also incorporating the murder weapon.
It seemed impossible not to mention that shot in an interview at Cannes Film Festival where the film won honors for best script and ensemble cast.
Almodovar nodded happily. What is most unexpected about "Volver" is that it's not really about murder or the afterlife, but simply incorporates those awkward developments into the problems of daily living.
His characters approach their dilemmas not with metaphysics but with common sense.